The film is part of the Filmelodicfilm series, an ongoing series of stories drawn fro… Symphonie fantastique: Épisode de la vie d’un artiste … en cinq parties (Fantastical Symphony: An Episode in the Life of an Artist, in Five Parts) Op. and transport the listener. The idée fixe returns in the middle of the movement, played by oboe and flute. The form of the dance is the fugue – after struggling to master the form for the Prix de Rome, Berlioz chose the fugue to represent his vision of hell. He dreams that he has killed his beloved, that he is condemned, led to the scaffold and is witnessing his own execution. Lo que aprenderás Omitir Lo que aprenderás. The Symphonie fantastique and Its Program 595 On the second point, Barzun has stated that the distribution of the Program at a concert "goes against the composer's wishes," on the grounds that Berlioz "left express instructions that when the Symphonie fantastique is to be played by itself.., .the program must not be given out, but only the titles of the five movements." Gordon Gerrard conductor; Performance. 8,519 already enrolled! The transitions from this state of dreamy melancholy, interrupted by occasional upsurges of aimless joy, to delirious passion, with its outbursts of fury and jealousy, its returns of tenderness, its tears, its religious consolations – all this forms the subject of the first movement. ISBN 0-19-866212-2. Close friends understood the identity of the two protagonists-Berlioz as the artist, and Smithson as his Beloved-but the subject of this passion and derision remained utterly unaware of her part in the orchestral drama. Symphonie Fantastique. 14 is a program symphony written by the French composer Hector Berlioz in 1830. By a strange anomaly, the beloved image never presents itself to the artist’s mind without being associated with a musical idea, in which he recognises a certain quality of passion, but endowed with the nobility and shyness which he credits to the object of his love. BERLIOZ: Symphonie Fantastique; You may be interested in. See where and when composers interacted and were influenced by one another. Among fellow composers, the gentle Felix Mendelssohn was appalled at its excesses and dismissed it as “utterly loathsome,” while the free-thinking Franz Liszt was intrigued and hailed it as genius. Earlier in his career Liszt had made a piano arrangement of Berlioz’s Symphonie Fantastique. Ya se han inscrito 8,548 The first of those visions is the "March to the Scaffold." 14 is a program symphony written by the French composer Hector Berlioz in 1830.It is an important piece of the early Romantic period, and is popular with concert audiences worldwide. Symphonie fantastique was featured in the films “The Shining,” “Sleeping with the Enemy,” and was the basis for the short film Last Night’s Symphonie (2014), a dark comedy that re-imagines the story of the symphony. They exist in two principal versions – one from 1845 in the first score of the work and the second from 1855. Brahms’s Academic Festival Overture, while written long after his college days, is based on German fraternity drinking songs. "Symphonie Fantastique," " Harold in Italy," "Romeo and Juliet" Program Symphony 19-century multi-movement orchestral work; modeled after 18th century symphony with programmatic elements; includes a descriptive title, accompanying text often outlines the program Before Smithson's eyes, he swallowed it. While in Italy, Berlioz explored the musical landscape of the countryside and continued to polish Symphonie fantastique. Indeed, he wrote not only a five-movement symphony but also a narrative program to accompany and explain the symphony. Audience-favourite Maestro Jun Märkl returns with a program tracing the evolution of the French sound: lush and masterful orchestration, cyclical forms, and great thematic cohesion. He began to woo her and then he did something desperate. In the preface to the score of his Symphonie Fantastique (1830) Berlioz outlines the story told by the symphony. When she left Paris they had still not met. With Symphonie fantastique, Berlioz stepped into his artistic maturity. In the preface to the score of his Symphonie Fantastique (1830) Berlioz outlines the story told by the symphony. Such an ending had never been heard before. The Fantastique, that most amazing of first symphonies, sounds and behaves like nothing ever heard before. Berlioz: Symphonie fantastique Too weak to … You take a trip, you wind up screaming at your own funeral.’. The groaning theme from the beginning of the movement transforms into a merry black Sabbath dance. Berlioz claimed to have written the fourth movement in a single night, reconstructing music from an unfinished project – the opera Les francs-juges. The Prix de Rome earned Berlioz the national recognition he craved plus a subsidy to study for two years in Rome. As a teen, Berlioz suffered from isolation and bouts of uncontrollable mood swings. The procession advances to the sound of a march that is sometimes sombre and wild, and sometimes brilliant and solemn, in which a dull sound of heavy footsteps follows without transition the loudest outbursts. Excerpt W 1:03 Excerpt X … My additions are in square brackets. Berlioz’ Symphonie fantastique had its premiere at the Paris Conservatory on December 5, 1830, played by an orchestra hired by the composer from members of the Conservatory’s orchestra and the pit orchestra of the Théâtre des Nouveautés (where Berlioz worked as a chorister during his apprentice years), conducted by François Habeneck. Though the Symphonie fantastique calls for only a fairly large orchestra, such conductors as Zubin Mehta and Gustavo Dudamel have conducted performances of the work with orchestras of over 200 players. Berlioz completed the Symphonie Fantastique in 1830, when he was 26 years old. Berlioz salvaged this theme from his abandoned Messe solennelle. The music whips into a frenzy as it bears the soul of the Artist to his damnation. Yet for all its renown as the great Romantic symphony, the Symphonie fantastique is really based on classical principals, organized in palindromic fashion around a slow movement at the center with two movements in characteristic dance meters (waltz and march) surrounding it, and large-scale fast movements at the beginning and end. Symphonie fantastique received its premiere on December 5, 1830, more than three years after the lovelorn composer first set eyes on the Irish actress. Richard Strauss Der Rosenkavalier: Suite. Los Angeles Philharmonic; Rafael … PROGRAM Beyond the Score: Berlioz's Symphonie fantastique Matthew Krause, actor Bernardo Bermudez, tenor. Berlioz couldn't get enough of it. Wright, Craig, “The Essential Listening to Music” (Schirmer, Cengage Learning 2013). Program. Oxford Companion to Music, Oxford University Press, 2002. In the fourth movement Berlioz begins to reveal the truly sinister side of his imagination. … This mingled hope and fear, these ideas of happiness, disturbed by dark premonitions, form the subject of the adagio. She became hysterical and agreed to marry him. Symphonie fantastique: Épisode de la vie d'un artiste ... en cinq parties (Fantastical Symphony: An Episode in the Life of an Artist, in Five Parts) Op. 14 is a program symphony written by the French composer Hector Berlioz in 1830. Copland and the American Sound. This explains the constant recurrence in all the movements of the symphony of the melody which launches the first allegro. The two finally met, and they were married on 3 October 1833. It is one of the most famous Romantic works for orchestra. The Dies irae et Ronde du Sabbat Ensemble section is at bar 414. These scores are Dover Publications reprints of turn-of-the-century editions from Breitkopf & Hartel, Leipzig and are easy to follow. Child Policy. The march echoes the sound of the real life bands that would accompany the condemned to their execution. After attending a performance of Shakespeare’s Hamlet on 11 September 1827 Berlioz fell in love with the Irish actress Harriet Smithson who had played the role of Ophelia. The drug is too feeble to kill… Program Music. According to the composer's own detailed program, his symphony aimed to describe the tortured dreams of a sensitive artist in lovesick despair who takes an overdose of opium and becomes haunted by visions of an unattainable woman. The work was repeatedly revived after 1831 and subsequently became a favourite in Paris. SEASON 3 Suddenly, the Artist's beloved appears as a witch, her theme distorted into spiteful parody. Symphonie fantastique was featured in the films “The Shining,” “Sleeping with the Enemy,” and was the basis for the short film Last Night’s Symphonie (2014), a dark comedy that re-imagines the story of the symphony. Symphonie Fantastique program symphony by Hector Berlioz. The movement is the only one to feature the two harps, providing the glamour and sensual richness of the ball, and may also symbolise the object of the young man’s affection. The return of the. Conductors Jean Martinon, Sir Colin Davis, Otto Klemperer, Gustavo Dudamel, and Leonard Slatkin have employed this part for cornet in performances of the symphony. The official title of the piece is Episode de la Vie d’un Artiste (An Episode in the Life of the Artist), but it is always called by its subtitle Symphonie Fantastique which means Fantasy Symphony. Berlioz wrote extensively in his memoirs of his trials and tribulations in having this symphony performed, due to a lack of capable harpists and harps, especially in Germany. Musical programs may be implicit Berlioz Symphonie fantastique. specifically: The symphony is a piece of program music that tells the story of “an artist gifted with a lively imagination” who has “poisoned himself with opium” in the “depths of despair” because of “hopeless love.” Berlioz provided his own program notes for each movement of the work (see below). The Symphonie fantastique is a symphony written by the French composer Hector Berlioz. ISBN 978-1-111-34202-9. This is the fourth movement of that work, and Mark Rogers' transcription catches all of the composer's brilliant orchestration and … Ives: Holidays Symphony The following programme must therefore be considered as the spoken text of an opera, which serves to introduce musical movements and to motivate their character and expression. Beethoven: Eroica The piece begins by introducing the listener to the vulnerable side of the protagonist, the Artist. Symphonie fantastique premiered in Paris in 1830. Más información sobre este curso. View 09 - Symphonie Fantastique - handout.pdf from MUS 1011 at Florida Atlantic University. Reactions were mixed. This movement can be divided into sections according to tempo changes: There are a host of effects, including eerie col legno in the strings – the bubbling of the witches’ cauldron to the blasts of wind. The Western Piedmont Youth Symphony will present both fall … This movement was the most difficult to compose for Berlioz. Two harps lead the waltz as the music alternates between watching the dancers and spying on the Artist trying to gain the attention of his beloved. Berlioz's Symphonie Fantastique is one of the Romantic era's most pronounced examples of "program music." His father allowed him time to prove himself in this new endeavor but his mother considered theatrical ambitions sinful and disowned him. Berlioz provided his own preface and program notesfor each movement of the work. Then drag each excerpt to the appropriate sentence from the excerpt of the program. They are deeply involved in educational outreach as well. Artists. The beloved melody appears once more, but has now lost its noble and shy character; it is now no more than a vulgar dance tune, trivial and grotesque: it is she who is coming to the sabbath … Roar of delight at her arrival … She joins the diabolical orgy … The funeral knell tolls, burlesque parody of the Dies irae, the dance of the witches. The Artist's head bounces down the steps, the drums roll and the crowds roar. Symphonie Fantastique, Opus 14 (1830) Hector Berlioz was born in La Côte-Saint-André, Isère, France, on December 11, 1803, and died in Paris, France, on March 8, 1869. First movement: “Rêveries – Passions” (Reveries – Passions), Third movement: “Scène aux champs” (Scene in the Fields), Fourth movement: “Marche au supplice” (March to the Scaffold), Fifth movement: “Songe d’une nuit du sabbat” (Dream of the Night of the Sabbath), http://www.hberlioz.com/Scores/fantas.htm, Keeping Score: Berlioz Symphonie fantastique, Symphonie Fantastique at the Internet Archive, http://en.wikipedia.org/wiki/Symphonie_fantastique, 2 flutes (one doubling piccolo), 2 oboes (one doubling cor anglais), 2 soprano clarinets (one doubling E♭ clarinet), 4 bassoons, 4 horns, 2 cornets, 2 trumpets, 3 trombones (alto, tenor, and bass), 2 tubas/ophicleides, 2 pairs of timpani, cymbals, suspended cymbal, tenor drum, bass drum, bells (sounding C and G), strings (Berlioz specified at least 15 1st violins, 15 2nd violins, 10 violas, 11 celli and 9 basses on the score), Marche au supplice (March to the Scaffold), Songe d’une nuit du sabbat (Dream of the Night of the Sabbath). … The music is always only a heartbeat away from the jealous rages that arise when the Artist sees his beloved with someone else. 5, SEASON 1 Before the musical depiction of his execution, there is a brief, nostalgic recollection of the idée fixe in a solo clarinet, as though representing the last conscious thought of the soon-to-be-executed man. One of the most representative pieces of the early Romantic period, it is still very popular with concert audiences worldwide. Program. At the end of the march, the first four bars of the idée fixe reappear like a final thought of love interrupted by the fatal blow when his head bounced down the steps. Symphonie fantastique is nothing less than Berlioz's extravagant attempt to attract Harriet's attention. : “The first movement is radical in its harmonic outline, building a vast arch back to the home key; while similar to the sonata form of the classical period, Parisian critics regarded this as unconventional. The work has most often been played and recorded without the solo cornet part. Available for free, online viewing through Oct. 10. The award winning Tesla Quartet returns with 4 concerts in its fourth year as the one and only Quartet Residency Program in North Carolina. Another feature of this movement is that Berlioz added a part for solo cornet to his autograph score, although it was not included in the score published in his lifetime. 14 is a program symphony written by the French composer Hector Berlioz in 1830. INTERMISSION HECTOR BERLIOZ Symphonie fantastique, Op. BERLIOZ Symphonie fantastique, Op.14; CHAUSSON Poème, Op.25; LOUIE Music for a Celebration; ESTACIO I Lost My Talk (text by Rita Joe) Seating Chart Guest Artists. He became an accomplished flautist, picked up the guitar and then taught himself to play drums. 1. At bar 21 the tempo changes to Allegro and the metre to 6/8. Children under 3 years old will not be admitted. Jean-Marie Zeitouni Conductor (ESO Artistic Partner) Laura Veeze ESO Violin Christine Sokaymoh Frederick Narrator . It is an important piece of the early Romantic period, and is popular with concert audiences worldwide. The sound of distant thunder at the end of the movement is a striking passage for four timpani. He wants to hide but he cannot so he watches as an onlooker as he dies. Shostakovich: Symphony No. Jean-Marie Zeitouni Conductor (ESO Artistic Partner) Laura Veeze ESO Violin Christine Sokaymoh Frederick Narrator . At twelve, Berlioz discovered music. The introduction is Largo, in common time, creating an ominous quality through dynamic variations and instrumental effects, particularly in the strings (tremolos, pizz, sf). In 1828, Paris buzzed with two sensations, Beethoven and Shakespeare. The military band escorts the prisoner to the enthusiastic cheers of the strings. Beethoven's music established the Romantic ideal; instead of fitting suitable music into classical forms, Beethoven reconfigured the symphony and the personnel of the orchestra to accommodate his emotional expression. A programmatic and vaguely autobiographical work, the symphony grew out of an intense infatuation with a French actress Berlioz had met years before. PROGRAM Andrew Norman – Unstuck Mendelssohn – Piano Concerto No. It premiered in Paris on 5 December 1830; Harriet was not present. BERLIOZ Symphonie fantastique, Op.14; CHAUSSON Poème, Op.25; LOUIE Music for a Celebration; ESTACIO I Lost My Talk (text by Rita Joe) Seating Chart Guest Artists. Also, see your friends and neighbors on the stage as “citizen musicians” perform with the North Carolina Symphony during “Play with the Pros.” SEATING OPTIONS: General Admission Seating Relive the folly of your college-aged youth with the greatest student music of all time. Both paint vivid pictures (is there anything, in its genre, to match the "March to the Scaffold"?) From his pocket, Berlioz produced a vial containing a lethal dose of opium. Happy Reading! Program Notes. Hector and Harriet started to act out in reality what the Symphonie fantastique only imagined. The narcotic plunges him into sleep, accompanied by the most horrible visions.". Box Office. The latest CD by Michael Tilson Thomas and the San Francisco Symphony (RCA Victor: 09026-68930) features a very fine performance of Berlioz's "Symphonie fantastique." She agreed to receive Berlioz. Berlioz promised to ‘stagger the world’ with this symphony, and he delivered: this is music of pure sensation. REGULAR HOURS In Person … The theme itself was taken from Berlioz’s scène lyrique “Herminie”, composed in 1828. Immediately following this is a single, short fortissimo G minor chord – the fatal blow of the guillotine blade, followed by a series of pizzicato notes representing the rolling of the severed head into the basket. Again, quoting from Berlioz’s program notes: The artist finds himself in the most diverse situations in life, in the tumult of a festive party, in the peaceful contemplation of the beautiful sights of nature, yet everywhere, whether in town or in the countryside, the beloved image keeps haunting him and throws his spirit into confusion. Chief Conductor Robertson takes us on a wild trip in Berlioz’s semi-autobiographical hallucination, Symphonie fantastique. Gustav Mahler: Origins From the revised preface and notes, it can be seen how Berlioz, later in his life, downplayed the pr… 14, is a program symphony written by Hector Berlioz in 1830. Bassoons and tubas bark out the Dies Irae – the traditional funeral chant. Frightening outbursts alternate with moments of the greatest tenderness. Symphonie fantastique. It all leads to a moment of complete frenzy and collapse. This melodic image and its model keep haunting him ceaselessly like a double idée fixe. From t… Program. The drama, innovation, and sheer audacity of the young composer’s vision stunned the audience. The movement begins with timpani sextuplets in thirds, for which he directs: “The first quaver of each half-bar is to be played with two drumsticks, and the other five with the right hand drumsticks”.The movement proceeds as a march filled with blaring horns and rushing passages, and scurrying figures that later show up in the last movement. In it, the Artist is executed for the murder of his beloved. One evening in the countryside he hears two shepherds in the distance dialoguing with their ‘ranz des vaches’; this pastoral duet, the setting, the gentle rustling of the trees in the wind, some causes for hope that he has recently conceived, all conspire to restore to his heart an unaccustomed feeling of calm and to give to his thoughts a happier colouring. There are five movements, instead of the four movements that were conventional for symphonies at the time: In Berlioz’s own program notes from 1845, he writes: The author imagines that a young vibrant musician, afflicted by the sickness of spirit which a famous writer has called the wave of passions [le vague des passions], sees for the first time a woman who unites all the charms of the ideal person his imagination was dreaming of, and falls desperately in love with her. Gustav Mahler: Legacy, SEASON 2 Berlioz's Symphonie Fantastique and Program Music in the 19th Century Igor Stravinsky's The Rite of Spring: Modernism, Ballet, and Riots. Classical Notes - Berlioz's Symphonie Fantastique. 14, is a program symphony written by the French composer Hector Berlioz in 1830. Symphonie fantastique: Épisode de la vie d’un artiste … en cinq parties (Fantastical Symphony: An Episode in the Life of an Artist, in Five Parts) Op. About this Piece. Zoe Irvine, dancer. Then, conveniently, he produced the antidote from another pocket and swallowed that. It is here that the listener is introduced to the theme of the artist’s beloved, or the idée fixe. The premiere of the Symphonie Fantastique took place at the Paris Conservatory on December 5, 1830, with François-Antoine Habeneck conducting the Orchestra of the Société des Concerts du Conservatoire. Ian Cusson Tableau vivant for orchestra. Musical enchantment from Mendelssohn’s ethereal music for A Midsummer Night’s Dream sets the scene for Saint-Saëns’ captivating Cello Concerto No. The second movement has a mysterious-sounding introduction that creates an atmosphere of impending excitement, followed by a passage dominated by two harps; then the flowing waltz theme appears, derived from the idée fixe at first, then transforming it. Violins and flute float flirtatiously through the charming melody. Berlioz did not know of Mendelssohn’s Octet, which also uses this device. More formal statements of the idée fixe twice interrupt the waltz. The two “shepherds” Berlioz mentions in the notes are depicted with a cor anglais and offstage oboe tossing an evocative melody back and forth. Totentanz has been described as Liszt’s “third piano concerto.” A hero with an unfulfilled desire, dark forces in the background and a grisly denouement: an archetypal romantic scenario that inspired Wagner, Rachmaninov and Berlioz to compose their most adventurous, imaginative and exciting music. Aside from its pioneering role as a symphony with a program—that is, with a story to tell— Symphonie fantastique is remarkable for its use of the idée fixe, which surfaces in … Shakespeare, as presented by the Irish actress, Harriet Smithson, changed Berlioz's life forever. Close friends understood the identity of the two protagonists-Berlioz as the artist, and Smithson as his Beloved-but the subject of this passion and derision remained utterly unaware of her part in the orchestral drama. NICHOLAS TEMPERLEY; THE SYMPHONIE FANTASTIQUE AND ITS PROGRAM, The Musical Quarterly, Volume LVII, Issue 4, 1 October 1971, Pages 593–608, https://doi.org/10.10 He arranged for a second premiere. It is initially stated in unison between the unusual combination of four bassoons and two tubas. The delirious artist chases his beloved through dreams, ballrooms, the countryside, his own beheading and a witches’ sabbath. Through its movements, it tells the story of an artist's self-destructive passion for a beautiful woman. At the end one of the shepherds resumes his ‘ranz des vaches’; the other one no longer answers. With its full title reading Symphonie Fantastique: Épisode de la vie d’un artiste en cinq parties (Fantastical Symphony: An Episode in the Life of an Artist, in Five Parts), the work lends itself to being autobiographical.The first performance was at the Paris Conservatoire in 1830. Hector Berlioz's Symphonie fantastiqueis a celebrated example of program music. In part, it is because Berlioz rejected writing the more symmetrical melodies then in academic fashion, and instead looked for melodies that were ‘so intense in every note as to defy normal harmonization’, as Schumann put it. As the work cannot rely on the assistance of speech, the plan of the instrumental drama needs to be set out in advance. Berlioz couldn't get enough of it. This leads into the. May 14, 2020 Holst's The Planets The Omaha Symphony performed Holst's 1918 work in May of 2018, exactly a hundred years after the fantastical piece was born. Indeed, he wrote not only a five-movement symphony but also a narrative program to accompany and explain the symphony. A journey from the ecstatic highs of romantic obsession to the deepest lows of betrayal, Berlioz’s groundbreaking Symphonie Fantastique continues to amaze today. A journey from the ecstatic highs of romantic obsession to the deepest lows of betrayal, Berlioz’s groundbreaking Symphonie Fantastique continues to amaze today. 1 Hector Berlioz: Symphonie Fantastique. (Canceled) Symphonie fantastique Thu / Apr 9, 2020 - 8:00PM. Artists . Saturday, February 8, 2020. What you'll learn Skip What you'll learn. In 1831, Berlioz wrote a lesser known sequel to the work, Lélio, for actor, orchestra and chorus. Strange sounds, groans, outbursts of laughter; distant shouts which seem to be answered by more shouts. Lili BOULANGER D’un matin de printemps; BARBER Violin Concerto; Intermission; BERLIOZ Symphonie fantastique; Listen to this program's playlist on Spotify . Berlioz Symphonie Fantastique | Program Notes Published on Nov 16, 2015 Hector Berlioz's early Romantic tour de force, Symphonie fantastique, headlines the … It took Berlioz four years to master the devilish form but at last he won. His beloved gloats over the scene. She eventually heard the work in 1832 and realized his genius. T he “Dies irae ” text is a horrific description of the terrors confronting mankind at the Last Judgment and is sung as part of the Requiem Mass. Traditional forms would be of less concern to a composer of programmatic music, as the form of a movement would likely be influenced by the subject matter being depicted. Set in Brooklyn and Manhattan, the film tells the story of a young man who enjoys a wild night out on the town with an adventurous young woman, only to face the consequences once the fantasy ends and reality kicks in. Children under 3 years old will not be admitted.  After his death, the final nine bars of the movement contain a victorious series of G major brass chords, along with rolls of the snare drums within the entire orchestra, seemingly intended to convey the cheering of the onlooking throng. Symphonie fantastique received its premiere on December 5, 1830, more than three years after the lovelorn composer first set eyes on the Irish actress. Hector Berlioz: Symphonie Fantastique Context. A young musician of extraordinary sensibility and abundant imagination, in the depths of despair because of hopeless love, has poisoned himself with opium. By 1832, Berlioz was back in Paris and determined to win public opinion with a new version of Symphonie fantastique. The score calls for a total of over 90 instrumentalists, the most of any symphony written to that time. Franz Liszt made a piano transcription of the symphony in 1833 (S.470). In the course of five movements, he first … According to Bernstein, ‘Berlioz tells it like it is. Berlioz sent her tickets to the best seats in the house for opening night. Berlioz’ most loved work is a symphony of love, from romantic infatuation to drug-fueled madness. The climactic finale combines the somber Dies Irae melody with the wild fugue of the Ronde du Sabbat. Symphonie Fantastique composed in 1845, by Hector Berlioz (1803–1869), is a program symphony; a five movement orchestral work that tells the story described by the CSO (2013) “as a purely musical melodrama”, a colorful illustration of the life of an artist, “replete … Program music or programme music ... A well-known example is Hector Berlioz’s Symphonie fantastique, which relates a drug-induced series of morbid fantasies concerning the unrequited love of a sensitive poet involving murder, execution, and the torments of Hell. Most of the rest of this article is copied directly from the book “Hector Berlioz: The Complete Guide”. These dramas, coupled with his fantasies of love and loss, provided Berlioz with the raw materials for his life's work. Mendelssohn A Midsummer Night’s Dream (excerpts) Saint-Saëns Cello Concerto No.1 Berlioz Symphonie fantastique. REGULAR HOURS In Person … No single work transformed the sound of a symphony orchestra more than Berlioz’s revolutionary “Symphonie Fantastique” of 1830, with its massive orchestra, large … Harriet Smithson finally understood that Symphonie fantastique was about her. View 09 - Symphonie Fantastique - handout.pdf from MUS 1011 at Florida Atlantic University. Child Policy. The “Dies irae” begins at bar 127, the motif derived from the 13th-century Latin sequence. PROGRAM Andrew Norman – Unstuck Mendelssohn – Piano Concerto No. Symphonie fantastique: Épisode de la vie d'un artiste ... en cinq parties (Fantastical Symphony: An Episode in the Life of an Artist, in Five Parts) Op. 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